I know it’s just not me, but I believe there are people here in Ajijic who definitely make a difference. They make an impact on our daily lives. Being a newbie here, I can only comment on some of the ones who have impressed me enough to photograph and paint them. I like to call them “people landmarks” because when you talk about them to friends, they respond with “Oh yeah, I know him, or I’ve seen her.” Usually they are vendors who have a following and a great variety of merchandise they collect and sell, or they are artisans themselves.
They usually claim a street corner or familiar area where they’ve built their reputation. I know that my “orange juice guy” can be found in front of Guadalajara Pharmacy on the Carretera.
Dave is an artist–a sculptor. He wears more than one hat which many of us have to do, I’ve bought juice from him before and it is really good juice. He’s one of several people I have enjoyed photographing and painting in watercolor. He has a very friendly nature. He always has a big smile and love for conversation and a little pleasant joking. He takes great pride in what he does. He is always cutting, cleaning, organizing his booth and presenting his beautiful juice with an air of confidence and generosity. How could you not buy juice from him?
He certainly loves this juicer. I do too. It’s one of those tools that is really well built and functions without electricity or batteries. It’s durable, honest and trustworthy. It’s like his good oranges and clean knives and counter. I have never seen such a super sized juicer and watching him operate it is a pleasure. I can only imagine how excited he must have been when he bought it.
He plays it like a violinist plays his violin. Buen provecho.
I thought I would try one of these exercises to see if people are interested. I would appreciate input. I am considering doing more of these so let me know if you like it and want more.
Sometimes we can get stuck or bored or get cold feet in how to start a painting. Here is a really fun way to jump in from another angle. These are some underpaintings I did last week,
The one with the red splash in the corner is the one I chose this time. What you need to do for these underpaintings is some kind of a permanent color medium. Watercolor will not work because when you go over this first layer, it can lift or blend with your top layer. Lacquer based inks, liquid acrylic or Intense inks are great. For liquid acrylic I like Golden and/or Holbein. They are very rich in color and a tiny amount goes a long way. I happen to have some inks and some Intense colors so I used a little of each. I mixed a dash or two of Intense inks (this is the name brand) with a little water in a small bowl.
Make 3 small bowls–one red, one yellow, one blue. You can use a big brush, a sponge, an eyedropper, or the pour and splash technique. One color splashing for each sheet of paper. Drain, drip or brush off what you don’t want.
I had Arches 130# paper so that’s what I used. The paper needs to be a watercolor paper that is heavy duty enough to withstand getting pretty wet without curling. That’s why I like blocks because all the sheets are glued together and the paper can withstand a beating. Just jump in and have fun and don’t try to control the underpainting too much. Then I just threw the wet blocks on the bathroom floor and waited until the next day to paint.
First off, here is the photo I took of this giant split leaf philodendron while walking to class last week.
This photo is the color shot right from the camera. You can see here the darks are prominent in the splits of the leaves and in the shadows. The color is drab and very muted. Mostly you get the size of the plant and the basic growing structure. I like the folded leaves because when they fold over, you can see through to the other underneath side. Most of the time you are not sure if it’s the same leaf. That makes it interesting and poses questions. Yes. There’s the storytelling element here.
Here is the line art of the plant done with a soft, dark pencil. As you can see, it’s just a sketch that captures (I hope) the simple outlines of the leaves, the splits, and the basic shape of the plant. I thought some details were important, like the tendril type grow on the long stem of one of the shoots. Wherever the reds and yellows landed did not matter to me. There isn’t too much control at this point. But so far, I like it.
The next step is to ink the pencil lines with my green Higgins ink and my Speedball pen. I have been using the Speedball nibs for 30 years and the most I’ve bought aside from inks are special handles. This is my favorite pen with a cork handle I bought in Portland years and years ago when Utrecht still had a store there. I have a great collection of fine drawing nibs and handles for delicate pen and ink work too, It’s amazing how much ink a Speedball pen can hold and what an even smooth line you can get.
When the ink is dry, I erase the graphite lines with a good white eraser…aka Magic Rub.
I like Maimeri Blu watercolors, but I also like Holbein and W&N too. I think I like it all. I am anxious to try new ones whenever I can.
I always use a test sheet on a small pad to choose which colors I might use.
So here is my final painting. It’s first and foremost a design with emphasis on color, shapes and negative spaces. Each color was applied a very small amount at a time with one full and soft brush (see above) the yellows in particular were blended in with the greens. The darks and purples came last. The background turned out to be a mixure of lights and darks.
Very little may be compared with the original photo but that does not matter. Once this was completed with both lights and darks in the background and the basic leaf established, I think the best part of this painting is the dancing back and forth of colors and shapes. Primarily, it was lots of fun. But the fun is not really done because…..
I take it another step and can turn it into clothing, or products. I know lots of people shun this. But not everything needs to hang on a wall. Sometimes I like to wear what I draw.