cartoon like mood. just a quick sketch. one for the road.
cartoon like mood. just a quick sketch. one for the road.
This little guy is a welsh corgi. Of course he is. Once upon a time a little girl wanted him strictly because she thought he was one of cute Mexican dogs they call a chiwawa.
He made a little ruffled bark and told her, “No, I am not a chiwawa dog.” She took him
home anyway. They lived happily ever after.
I have combined my love of fonts; this one is Dino Kids, with pencil sketching and digital ribbon and bow, drawn on my Cintique by Wacom. enjoy. purchase
Here is another pencil drawing from my portfolio that I did a little digital editing on today to add some highlights and deepen some tones. No one has ever seen this artwork as it was buried in some old files I found.
I am posting this and I am wondering if it might be good art for a book cover. So, in a day or two I will be fabricating a book title and I will search for a font that will fit the art. The drawing will have to be simplified I think for a commercial book cover. I love working in pencil because it is so honest. I want to do more.
Here is the artwork on products in my online store:
Once upon a time I owned this sweet car. It was great and ran great with no problems. I had it for around 10 years. At the time, it was considered a classic but I didn’t think it was old. I sold it to 2 German guys who flew to Los Angeles looking to pick up cars for their German Classic Car Club they were starting up. This was my all purpose car and I needed it for everything, including kids and everything that comes with kids. I got really tired of people stealing parts off of it. I could not park it anywhere without coming back to find it had been stripped again. Times change, cars change. I don’t really miss it because it was a lot of fun when I had it. Hope it’s still alive and doing well in Germany.
What can I say. I am working hard trying to figure out what works and what doesn’t work in photoshop digital painting. I’m still getting layers mixed up and even though I am still scrambled eggs about it, I am so happy to have learned a new thingy in this one. I found an old abstract painting and brought it in as a background and tilted it, blew it up, changed the levels a lot until I got a nice contrast between the background and my sweet fairy. With that as a positive, the negative is that I feel I lost an opportunity to paint the corn as it should look in moonlight. The same can be said about miss fairy herself, although I like her weird hair with the red maple leaves all over it. I won’t do that again though because I don’t think it worked. When you add something and it looks added and is not inspiring, it will always be a dead issue and is better off left dead. But alas, every time I paint one of these, I get a little closer to getting the concept.
This is the old corn fairy from 2005. I like the idea but I am surely not there yet. All in all, this is the better work but I will meet the challenge of reviving it. It is always good to save your work. It is much more rewarding to revise your own stuff that to just grab something off the web. I love the corn in this and the corn colors. I also think her skin tones are pretty cool. I may try this whole thing again at some later date.
Here is the abstract big watercolor. I changed so much of it –changed the levels and saturation in photoshop. See if you can guess which little section of this I used and manipulated. The original painting is misty and washed out just as it looks here because I washed and tried to scrub out what I had painted a long time ago. Because I used Arches 140lb. cold press, I could not get it all out. Now I am so happy about that because I can use this artwork for so many digital applications now. How cool is that? The other option is that I could paint over it but I think that would ruin it. So I will leave it as it is: a hidden treasure.
This started out as a pencil doodle. When I brought it into photoshop, I adjusted the levels to make the greys of the pencil as dark as I could, and the lights as white as I could. This gave me a little template to build the digital painting on.
There is a lot of painting involved here and a lot of colors and brushwork too. It took a long time. I am learning to navigate through my Wacom tablet which saves a lot of time. Learning shortcuts is amazing. I wanted the wife to have pears on her dress but they are not joyous colors. Because of the situation farmers find themselves in, nothing here is joyous. I hope their expressions reveal what is going on in their lives.
I usually don’t do political drawings but I thought I would have a little fun with this. It was pretty easy choosing an appropriate font for a title. I called it An American Experience because there was a PBS series with this name for a long time. It was a documentary series about cultural phenomena. This font is Goudy Stout. I love the name and think it’s sounds exactly what it looks like.
My favorite part of this piece are the two types of bodies. She is a plump pear and he is a skinny dude. They make a perfect couple that we see in real life just about every day. Regarding the coloring; my favorite part is his blue jeans. When jeans get old and worn, they look kind of yellowish/grey sometimes. There are many layers and tones of the colors on everything here, and I sing the praise of “multiply” brush effects. It adds so much depth and dimension, as it picks up the colors underneath with every stroke.
An additional treat is that it was saved for web as a png file and therefore it can be printed transparently on to different fabrics. This piece ended up looking great on lots of textile products and it really surprised me.
Here is what it looks like on a grey sweatshirt product
From the nursery rhyme the 1st paragraph of Mary, Mary, Quite Contrary is illustrated here. This painting is a digital drawing and painting of my own idea. I have tried to use colors and text that engage a nostalgic mood. Mary, Mary was quite the contrary miss, I think.
What started out as a cool idea and something nice to do on a quiet Sunday ended up being a 6 hour project….from the idea to the photoshop drawing and painting to the addition of text. I made 2 versions, one with text and one without. I ended up only listing the one version with text online.
What can I say except I love drawing like this and playing with text. When I moved from the U.S. I left all my fabulous books and films behind. For 40+ years, I had collected “primers” which in my collection, dated back to the 1880’s.
They were old beautiful books that I treasured and cherished. Primers were children’s elementary readers. Heads up on this one. The vocabulary, language in general was very sophisticated and advanced. I had a 5th grade reader which was equivalent to what would now be 1st year high school. There was no photography and dot printing had not been invented yet. So all the art was line art only. That is where I learned the fundamentals of drawing in grey scale by not using grey scale but using line art and the idea that drawing was an optical illusion. The width of the lines conveyed the tonal values. That led to my 30 years of drawing in scratchboard. I drew for over 25 years only in black and white and I am not ashamed to say it. I also learned about scale from primers. Think about this: Convey a mountain with a few people on top of it…don’t forget to include the clouds, the weather, the country, etc etc .then ask yourself if it conveys a mood as well as giving all that info? The storyboard was alive at the turn of the century for sure. All the rules and success of animation are in the old primers.
All of these principles have basically never changed. You become a better artist when you learn digital media because basically art is science. Photoshop and Illustrator are basically science and math is your friend. After one month of working hard and trying to remember my old skills, they are coming back. Now that I have the desire to use typography, this is just another icing on the cake.
Here is a product with this 100% digital art.