alphabet, dogs, horses, cats, fonts, Illustrations, kids, simple photoshop, step by step, how to, thoughts behind the work

You’re On a Roll

youre-on-a-roll-web

When it comes to humor, everybody has an opinion.  The world revolves around people putting opinions of  other people’s creative work into a niche.  Critics enjoy this because they can sit outside and look at it and not be threatened as they are only observers and not the creators.   The truth is, corny or not, people laugh at puns and somebody always will–so let’s move on.  What’s the fuss about all this?

Well, this was an idea I had and was reluctant to proceed because it is a classic “pun” or “play on words”.    My thought was to put a baby in the hot dog bun and draw that.  I got cold feet.  So I did this instead.  Call me a coward but I’m trying to put fonts and images together as a self-motivated interest and I’m trying to stay true to my goal.  That’s my newest M O, so for the sake of being a little more traditional and not wanting to offend anybody, here’s the newest drawing.
I sketched the hot dog in the bun with a ball point pen and scanned it in greyscale. Then opened it in photoshop and painted it in with a few semi-transparent shades of various colors, making a layer for each major item: hot dog, bun, and of course the text.  Did the same for the little dog.  For me, drawing simply like this in photoshop is super easy and very rewarding.  When it was completed, I saved it as a psd file and then removed the background and saved it as a png. Then I combined all the artwork layers.  I am sure this is not the preferred method, but I just plow ahead and do whatever works.  When I grow up, I want to be able to use AI and know what I’m doing.  After years of PSD, I just keep trying and keep learning.  I hope to learn one new thing every day.

When I studied graphic design in college, I drew in AI all the time and was never intimidated. I remembered putting images on to a thumb drive and then bringing them to a professional printer and staring in awe and these gorgeous glossy huge prints spit out my artwork.  I was in love.  Now after all these years, the program is scaring me.  But Adobe is  making improvements that certainly make it more intuitive.  I will continue to plow ahead in the hopes my memory comes back and I can learn new things.

The wonderful font is Hansel  Texture and I think it’s great.  I will be using it more I hope but this is the first time.  I am keeping all these images super simple and super big.  I like seeing them big on t-shirts and I like seeing them on kids’ onesies too.  That’s where I’m at and wow, how fun would it be to see this on adult onesies, if there were such a thing.

Here’s the art on some stuff.

animals, Illustrations, interior design, Pen and Ink Drawing, step by step, how to, thoughts behind the work

Rabbit and company, still life, color and black and white illustrations

 

 

This process is really long and tedious.  I don’t understand why I am making so much work for myself….except, I started with this idea and I can’t break the mold now. When you have high resolution images, bottom line is that it is what you need to publish your work.

I first do a pen and ink with fine line nib on to bristol paper, which is great for detail.   If I am happy with that, then I transfer that drawing to a heavy watercolor paper.  I am using my 12″x16″ light table to make the transfer.  I am doing this with a thicker nib and heavy emphasis lines are darkened to balance the amount of black on the page.

Then I scan the b&w into a large scanner and upload the b&w to my online store.  When I have the new darker black and white on watercolor paper, I paint it.  The composition defines whether or not I leave a lot of background white in the image or paint it in.

I have been playing with gouache and my usual clear watercolors, which is either Winsor and Newton or Maimeri Blue.  Why do this complex process?  I have learned a lot by this process.  It is remarkable how if you discipline yourself, you can accomplish a lot.  These drawings are giving me a lot of pleasure.  I can’t wait to get to a place when I can assemble them into some kind of storyboard book.

I studied this book building and illustrating in 1988 with Uri
Schulevitz but here I am now, so many years later, actually stepping into scary waters with a style that is actually the first one I adopted such a long time ago.  I discipline myself to doing 3 things every day, studying Spanish, working on the treadmill and drawing and/or painting.  I actually am very satisfied doing these activities.

I hope people will enjoy what I have to say.  My story really never changes.  It’s only the way of telling it that is new.

You can find my art here.

step by step, how to

Rachel’s value study from the refrigerator

rachel-value studyA jug of maple syrup, a jar of capers and a fresh pear.

A value study using pencil sketch, neutral tint in light, medium and dark mixes.  Then a few touches of glazing with transparent colors once the preliminary was very dry.

Continue reading “Rachel’s value study from the refrigerator”

flora and fauna, Plein Aire Painting, step by step, how to

Coto pool and painting outside plein aire style

W-N-travel-paletteLovely sunny day. Quiet here and wanting to be outside, coto-pool-webmy friend and I set out to spend an hour with our mini palettes and brushes and small watercolor pads. This is the wading pool in my (coto) community. It is complete with great healthy palm trees and singing birds.
It is important and joyful to paint outside. It is a liberating experience. Tiny brush, tiny palette, tiny view of a huge scene. Plein aire paintings are super honest. Perhaps because you have to be quick before the moving sun changes your view.
  To purchase prints or textiles, click here

flora and fauna, scratchboard drawing, step by step, how to

Little Demo on Scratchboard Drawing

apple-scrb-demo-step-by-step copy-web.jpg

Since I am now using my home base for teaching, I decided to respond to some requests to teach scratchboard and the engraving idea behind it.  Although it is not engraved in metal, it offers the very same challenges.

One remarkable quality is that doing large scratchboard is very time consuming and difficult, the opposite is true when in comes to graphic digital reproductions.

This is one of my scratchboard drawings enlarged, which I feel loses zero impact, considering how affordable it is and how it can be applied to metal as well as textile.  Click the picture to purchase.

2beachguys-web
Venice, CA 1997